[DAY 3] Turf Wars: Prison Edition

[Tangrowth]

Turf Wars: Prison Edition

Brought to you by Spacedaisy and MovingPictures07!

[Tangrowth]

RULES & PROCEDURES

Gameplay
1. Days are 48 hours and take place here.
2. Nights are 24 hours and take place in your cell.
3. All game conversation must take place in this thread or your cell, depending on whether it is Day or Night respectively.
4. The hosts for this game are MovingPictures07 and Spacedaisy. Please PM all game and mechanics questions to both hosts.
5. The Mod on Duty for this game is nijuukyugou. She is there for any of your questions or concerns not strictly related to game or role mechanics. Please PM her with any grievances or concerns you may have at any time, notably including conflicts with other players. Keep the thread fun and clean of emotionally-charged drama or conflicts; PM nijuukyugou instead. We want to keep this game as fun as possible for everyone.


Rules
1. Be respectful and remember that this is a game. Although mafia is a game of deception and can be rather heated, recognize that the game is not personal and that your friends may be lying to you in the spirit of the game. Please treat your fellow players with respect, even if you suspect or strongly disagree with them.
2. No BTSC (Behind the Scenes Contact/Conversation).
3. No editing or deleting of posts.
4. No role outing of yourself or anyone else.
5. No identity outing of yourself or anyone else (i.e., MovingPictures07).
6. No dumping main game or player-specific information into the thread. This includes anything from your past life in the main thread, if you had one, as well as current prison-based information such as your cell number or cellmate.
7. You may, however, alignment claim truthfully or falsely, although it is not necessarily recommended.


Participation
The following behavior constitutes non-participation: If you do not post for more than 72 consecutive hours. If this is committed, it will qualify as non-participation for the purposes of this game. Consequently, any player who fails to post for 72 hours will have their Participation Score (P-Score) penalized. If at any time you are afraid you cannot fulfill this requirement due to any reason, please PM both hosts immediately explaining your situation. There are no replacements in Turf Wars: Prison Edition. Exceptions will be made for unforeseen and uncontrollable circumstances.

[Tangrowth]

PLAYER ROSTER

ARRESTED: 12

Prisoner 208986
Prisoner 277058
Prisoner 379949
Prisoner 413022
Prisoner 509378
Prisoner 513538
Prisoner 640326
Prisoner 650829
Prisoner 740359
Prisoner 813142
Prisoner 920077
Prisoner 980854


[center]DEAD: 0[/center]

[NurseWilgy]

Prisoners, here is your next challenge. You must decode the following message:

~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~. ~~'~ ~~~ ~~~~ ~~~~~ ~~ ~~ ~~~ ~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~ ~~, ~~~ ~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~ ~~ ~~ ~~~ ~~~~~ ~~~~ ~~ ~~~~~~. ~ ~~~~~~~ ~~~~~ ~~ ~~~ ~~~~~~~~ ~~~~ ~~ ~~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~ ~~ ~~~~ ~~~~ ~~~~ ~~~~~ ~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~ ~~~~ ~ ~~~~~. ~~~ ~~~~ ~~ ~~~~ ~~~ ~~~~~~ ~~~~~~~~~~, ~~~~~~~ ~~ ~~~~~ ~~~~ ~~~~~. ~~~ ~~~~ ~ ~~~~~ ~~~~~ ~~~~, ~~~~ ~~~'~ ~~~~ ~~ ~~~ ~~~ ~~~~~. ~~ ~~~~~, ~~~ ~~~~ ~~~~~~. ~~ ~~ ~~~~~, ~~~~~ ~~~ ~~~~ ~~ ~~~~~~~~ ~~~ ~~ ~~~~ ~~~~~ ~~~~ ~~~~ ~~~ ~~~~~~~~~ ~~ ~~~~ ~~~~~ ~~~~~~ ~~~~~~ ~~. ~~~~'~ ~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~~~~. ~~ ~~~~~ ~~~ ~~~~ ~~~ ~~~~ ~~~~ ~~~~~~~~, ~~~~ ~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~, ~~~~~~~~~~ ~~~ ~~~ ~~ ~~~~~~~ ~~ ~~~~~~~~. ~~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~~~ ~~ ~~~...

You may request up to 3 letters to be revealed at this time. The first 3 letters I see requested will be chosen.

May the Lord have mercy on your souls.

[Tangrowth]

This thread is now open.

[Rachel Green]

I love me some decoding.

In my opinion, the best letters are those that highlight words key to mafia secrets. Thus "t" for "target", "l" for lynch, and a vowel is a must. "e" is the obvious choice, but "i" is good for a lot of words as well. So Mr. Warden, this is not an official request, just idle chatter, but gang, what do you think of T-L-E?

[Phoebe Buffay]

920, t and e have two of the highest frequencies of use in the english language so I think that's great. l is pretty high as well and as you point out is good for "lynch". So, all in all I agree with your choices.

[Saito]

Fun fact I was Pat Sajak's bookie before I got stuck in this joint on a bogus charge. Those letters jive with me.

[Rachel Green]

Meh that's enough support I'd say.

Warden? I'll request T L E please.

[Saito]

That's assuming the warden didn't dick us and cipher the letters.

[NurseWilgy]

~ ~e~~ t~e ~~~t~te~~ ~~~~~~~~~~~. ~t'~ t~e ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ t~e l~~~t t~~t ~~e~~~ ~~ ~~ t~e ~~~ll ~l~t ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ t~e ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e t~e ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ t~e l~ttle l~~~ e~~~~e~ ~~t~ ~ ~l~~~. T~e ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ t~e ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t t~e e~~t~~e~~ ~~ t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ t~e t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ t~e ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l t~e ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Saito]

~ ~e~~ t~e ~~~t~te~~ ~~~~~~~~~~~. ~t'~ t~e ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ t~e l~~~t t~~t ~~e~~~ ~~ ~~ t~e ~~~ll ~l~t ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ t~e ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e t~e ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ t~e l~ttle l~~~ e~~~~e~ ~~t~ ~ ~l~~~. T~e ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ t~e ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t t~e e~~t~~e~~ ~~ t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ t~e t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ t~e ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l t~e ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ the l~~~t t~~t ~~e~~~ ~~ ~~ t~e ~~~ll ~l~t ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little l~~~ e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the e~~t~~e~~ ~~ t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Saito]

~ ~e~~ t~e ~~~t~te~~ ~~~~~~~~~~~. ~t'~ t~e ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ t~e l~~~t t~~t ~~e~~~ ~~ ~~ t~e ~~~ll ~l~t ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ t~e ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e t~e ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ t~e l~ttle l~~~ e~~~~e~ ~~t~ ~ ~l~~~. T~e ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ t~e ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t t~e e~~t~~e~~ ~~ t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ t~e t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ t~e ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l t~e ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Paul Stevens]

When do we get more letters?

[Saito]

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ steadily t~~~~~~ ~e, ~~~ t~e~ the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Saito]

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ steadily t~~~~~~ ~e, ~~~ t~e~ the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Operator]

I'm really not good at these but I will try to help when I can.

linki - I put mine in red in case there is a disagreement - we can easily see what I added.

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ steadily t~~~~~~ ~e, ~~~ t~e~ the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Paul Stevens]

I will be around later to try to help, in the mean time try looking up hangman solvers. Here is one I found http://nmichaels.org/hangsolve.py

[Saito]

http://www.crosswordsolver.org/

[Phoebe Buffay]

I'm also not very good at this coding. i put my additions in blue so you can take them out if you think they dont fit.

~ ~e~~ the ~~~t~te~~ ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily t~~~~~~ ~e, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Saito]

I'm also not very good at this coding. i put my additions in blue so you can take them out if you think they dont fit.

~ ~e~~ the footsteps ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily t~~~~~~ ~e, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Saito]

I'm also not very good at this coding. i put my additions in blue so you can take them out if you think they dont fit.

~ ~e~~ the footsteps ~~~~~~~~~~~. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily t~~~~~~ ~e, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. until the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Paul Stevens]

First sentence:

I hear the footsteps approaching.

[Phoebe Buffay]

I hear the footsteps approaching. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of t~~~ ~l~~e really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. until the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Rachel Green]

I hear the footsteps approaching. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really ~l~~e~ ~~. That's when ~~~ really ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. until the ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

[Rachel Green]

I hear the footsteps approaching. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ then ~l~~~ steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really ~l~~e~ ~~. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the ~~~~e~ start talking to you...

[Saito]

Thats pretty impressive.

[Paul Stevens]

Until the (voices) start talking to you....

[Rachel Green]

I hear the footsteps approaching. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really ~l~~e~ ~~. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the ~~~~e~ start talking to you...

Tweaked the "then" to "they" in the first line.

[Saito]

I hear the footsteps approaching. it's the ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the ~~~~e~ start talking to you...

Tweaked the "then" to "they" in the first line.

[Young Lady]

I see you guys are doing just swell. Keep it up. I'll try and see if I can add something later

[NurseWilgy]

When do we get more letters?

You get more letters when we say you get more letters. You piss when we say you piss, and you shit when we say you shit. You got that you maggot dick motherfucker?

[Young Lady]

Hey Warden, suck my dick

[Rachel Green]

I hear the footsteps approaching. it's the only sound in my ear as they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the ~~~~e~ start talking to you...

[Rachel Green]

[quote="Prisoner 920077"]I hear the footsteps approaching. it's the only sound in my ear as they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The ~~~~ ~~ ~~~~ but mostly climaxless(?), nothing to write home about. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the ~~~~e~ start talking to you...

[Rachel Green]

Using various crossword helper sites etc. the only two words that seem to fit where I put climaxless are that one and flightless. I put the (?) because its such a specific word, I'd consider that speculative for now.

[Paul Stevens]

Oh ok, I guess since we are using sock puppet accounts we get to be crass and vulgar.

[Rachel Green]

Oh ok, I guess since we are using sock puppet accounts we get to be crass and vulgar.

[Golf]

Ayy Warden imma kill you, you know damn well I never learned to read.

I'll do my best, but I'm usually the suck at these things. So far I'd like to point out that, I think, it can't be "ear" in " it's the only sound in my ear as they climb", because the Warden didn't reveal any e in the three-letter word that's supposedly "ear". Someone double check this.

Oh ok, I guess since we are using sock puppet accounts we get to be crass and vulgar.

Do you love the Warden or something? We in Prison, homie, toughen up.

[Paul Stevens]

Ayy Warden imma kill you, you know damn well I never learned to read.

I'll do my best, but I'm usually the suck at these things. So far I'd like to point out that, I think, it can't be "ear" in " it's the only sound in my ear as they climb", because the Warden didn't reveal any e in the three-letter word that's supposedly "ear". Someone double check this.

Oh ok, I guess since we are using sock puppet accounts we get to be crass and vulgar.

Do you love the Warden or something? We in Prison, homie, toughen up.

I was talking to the warden....

[Golf]

ololol my bad homes

[Paul Stevens]

I hear the footsteps approaching. it's the only sound in my ear as they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The food is good? but mostly flavorless, nothing to write home about. ~~t that ~ ~~~l~ ~~~te ~~~e, they can't make me ~e~ ~~~ ~~~e~. ~~ light, ~~~ that ~~tte~. it is later, after the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ that the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ the silence t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, eventually you end up talking to yourself. until the voices start talking to you...

[Paul Stevens]

Look guys.... I found this picture of the Warden when he was younger.



I think what we're trying to decipher is Warden Percy's letter home to mommy.

[Golf]

So I can't figure what "plot" would have to do with anything, in "and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~", but the word before "plot" could be small, I suppose?

I hear the footsteps approaching. it's the only sound in my ear as they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The food is good? but mostly flavorless, nothing to write home about. Not that I would write home??, they can't make me ~e~ ~~~ ~~~e~. ~~ light, for that matter?. It is later, after the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ that the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, then you? ~~~~ the silence t~~ ~~~~ ~~~ start? ~~~~~~~, eventually you end up talking to yourself. until the voices start talking to you...

[Paul Stevens]

Maybe "~~~ll plot" is "small slot" or slit..... like in a door or between bars

[Golf]

What verb could come after "the light that"? Gleams would have revealed an l in there. Sheens would have revealed two e's. I'm out of synonyms for shines, other than these.

Maybe "the light that [VERB] in on the small slot/slit is [VERB]"?

[Golf]

Think I have a solution for the underlined part.

I hear the footsteps approaching. it's the only sound in my ear as they climb steadily towards me, and then the light that ~~e~~~ ~~ ~~ the ~~~ll plot ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ the ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e the ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ the little lamb e~~~~e~ ~~t~ ~ ~l~~~. The food is good? but mostly flavorless, nothing to write home about. Not that I could write home, they won't give me pen or paper, or light, for that matter. It is later, after the ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ that the emptiness of this place really closes in. That's when you really start ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ the t~~e ~~t~ t~~~~~~~, then you? ~~~~ the silence t~~ ~~~~ ~~~ start? ~~~~~~~, eventually you end up talking to yourself. until the voices start talking to you...

[/quote]

[Paul Stevens]

"the light that sneaks"?

[Gunther]

~ ~e~~ t~e ~~~t~te~~ ~~~~~~~~~~~. ~t'~ t~e ~~l~ ~~~~~ ~~ ~~ ~~~ ~~ t~e~ ~l~~~ ~te~~~l~ t~~~~~~ ~e, ~~~ t~e~ t~e l~~~t t~~t ~~e~~~ ~~ ~~ t~e ~~~ll ~l~t ~~ ~~e~e~. ~ ~~~t~~~ ~~~~~ ~~ t~e ~l~~~~~~ t~~~ ~~ ~l~~ ~~~~~e ~e~~~e t~e ~l~t ~~ ~l~~ ~~~~ ~~t~ ~l~~e ~~~ t~e l~ttle l~~~ e~~~~e~ ~~t~ ~ ~l~~~. T~e ~~~~ ~~ ~~~~ ~~t ~~~tl~ ~l~~~~le~~, ~~t~~~~ t~ ~~~te ~~~e ~~~~t. ~~t t~~t ~ ~~~l~ ~~~te ~~~e, t~e~ ~~~'t ~~~e ~e ~e~ ~~~ ~~~e~. ~~ l~~~t, ~~~ t~~t ~~tte~. ~t ~~ l~te~, ~~te~ t~e ~~~~ ~~ ~~~~~~e~ ~~~ ~~ t~~~ t~~e~ ~~~~ t~~t t~e e~~t~~e~~ ~~ t~~~ ~l~~e ~e~ll~ ~l~~e~ ~~. T~~t'~ ~~e~ ~~~ ~e~ll~ ~t~~t ~l~~~~~~. ~t ~~~~t ~~~ ~~~~ t~e t~~e ~~t~ t~~~~~~~, t~e~ ~~~ ~~~~ t~e ~~le~~e t~~ ~~~~ ~~~ ~t~~t ~~~~~~~, e~e~t~~ll~ ~~~ e~~ ~~ t~l~~~~ t~ ~~~~~el~. ~~t~l t~e ~~~~e~ ~t~~t t~l~~~~ t~ ~~~...

Well this is just ri-goddamn-diculous. I'm glad some of you are making progress because I have never been very good at decoding secret messages. Overly-elaborate yet easily-escapable death traps? Yes. Decoding? How 'bout nooo!

I will try to contribute to the cause in due time.

[Golf]

Where's the new guy? Sulking in his cell?